We're now on Day Four of principal photography and starting to settle into a comfortable groove. We've made our days without too much difficulty due to the diligent efforts of our cast and crew. I know it's cliche', but that doesn't make it any less true: we have a wonderful group of people in front of and behind the camera. Even when our mechanical FX supe lost a week's worth of polyurethane tentacles overnight, she not only managed to put together replacements in less than 24 hours so we could make our shots, but brought along props for an additional practical effect that turned out to be one of the highlights of the day. That's dedication!
I don't want to say too much this early in the shoot for fear of jinxing it. Suffice it to say I've been profoundly happy with the images and performances we've managed to capture so far. Yesterday, we shot my favorite scene in the film--an emotional exchange in a rundown motel room. Our leads in this case--Joshua St. James and Emily Galash--really delivered the goods! It was a stirring moment to see them bring my words to life. I can't wait to see the dailies. It's not the flashiest scene in the film. But to my mind, it encapsulates what the film is all about--everyday people trying to find their way in a world that persistently mystifies them.
I don't want to say too much this early in the shoot for fear of jinxing it. Suffice it to say I've been profoundly happy with the images and performances we've managed to capture so far. Yesterday, we shot my favorite scene in the film--an emotional exchange in a rundown motel room. Our leads in this case--Joshua St. James and Emily Galash--really delivered the goods! It was a stirring moment to see them bring my words to life. I can't wait to see the dailies. It's not the flashiest scene in the film. But to my mind, it encapsulates what the film is all about--everyday people trying to find their way in a world that persistently mystifies them.
